Supremus said:
Perhaps at some point, if you have the time, you could share some insights about the story/writing process, in terms of who does what? Not so we can blame you personally, or anyone else for that matter, but it's an aspect of the production that isn't often covered and that fans don't know an awful lot about.
each and every JLU script starts with a "story-break" meeting, where the story-editors and producers sit in a room and just brain-storm like crazy.....character beats, action set-pieces, plot twists, etc, EVERYTHING is pretty much nailed down at that initial story break meeting, with all 4 of us pitching in ideas....then, either dwayne or matt wayne (our new story editor, taking over from stan berkowitz) will work up a rudimentary 3-4 page "beat sheet", with all the important bits broken down in skeletal form...we all read it, make notes on it...once that's done, a slightly-more fleshed-out 8-10 pg. outline is written up...this includes more detailed descriptions of the set-pieces, more fleshed-out character interactions, even some dialogue exchanges....the outline is usually written by matt or dwayne, but there have been occasions where one of our trusted freelancers have written them....basic rule of thumb: whoever wrote the outline gets the "story by" credit....after another round of notes by the braintrust, the outline goes to cn and dc comics for approval....the teleplay is then written by one of our freelancers or by dwayne or matt....after (you guessed it) MORE notes from us, the writer will do a second draft....any revisions after that will be executed by dwayne or matt (or both)....when we're all satisfied with it, we send the script to dc and cn for another round of approval....once their concerns are dealt with, the script is labeled "final", distributed to directors, storyboard artists, andrea romano, etc...
now that's the way it USUALLY works but there are always variations...for instance, sometimes we'll skip the "beat sheet" and just go right to outline if we feel we have a firm enough handle on the material....for WAKE THE DEAD, i wrote the beat sheet, which was VERY loose and rudimentary, except for the shayera/aquaman/amazo chess sequence which for some reason or another i wrote out full-script....dwayne wrote the outline and script (incidentally "polishing" my chess sequence, much to its betterment), but insisted i share "story by" credit...an instance where the opposite happened: i wasn't crazy about the "big kiss" scene at the end of WILD CARDS (i don't remember if dwayne or stan had written that part), so i pretty much re-wrote the entire scene, with no screen credit....this kind of thing happens all the time, with dwayne or stan or matt usually the ones re-writing entire sequences sometimes, un-credited....(by the way, forgive the preceding paragraph for being so self-centric, it's just that instances where i actually put pen to paper and wrote stuff are easier to use as examples since they're fresher in my memory)...
each writer DOES have their own unique voice, so even though we're ALL adding bits of business and dialogue throughout the process on every script, "written by dwayne" eps are definitely distinguishable from "written by bob goodman" or "written by marc de matteis" scripts....i noticed this back in the day, too: "alan burnett re-writing hilary bader" sounds COMPLETELY different than alan burnett writing something on his own from scratch...it's a weird thing....
in the case of TASK FORCE X, dwayne, stan, james and i broke the story, dwayne wrote the outline, darwyn wrote the first draft of the script....unfortunately, darwyn had a scheduling conflict and wasn't able to write the second draft...we were under a severe time crunch, so we broke the script into 3 chunks and dwayne, stan and i each wrote a third of the second draft practically overnight....don't ask me who wrote what, it's pretty much a blur...
this is probably more info than you all want, and probably confuses the issue more than sheds light on it, but that's the way it is....