Wow! So many great opinions in this thread. Time for some responses...
the charters don't make an impression
these are the loony toons their supose to funnest and out there charters on the show but their just tame the random human charters make more of an impression than they do
when foghorn leghorn shows up I expect him to steal every scene he's in
the charters who really break through are lola and tina the other loony toon charters are just watered down
I think Lola and Tina have the potential to be really interesting characters, but the writers really need to use them sparingly and not shove them into every episode. They also need to experiment more with their personalities and not have them stuck on one trait, being "crazy girlfriend" and "street-smart girlfriend" respectively. As well as NOT just being defined as "girlfriends" and have ambitions beyond that.
They also haven't given us a reason as to why both of them are in a relationship with Bugs and Daffy. Bugs and Lola especially feel like they're just stuck together rather than really being boyfriend and girlfriend. Tina didn't put much thought into why she wanted to be with Daffy, besides using the same stock "being himself" plot point from a million other sitcoms.
These aren't bad ideas, but they're not doing anything with them.
Yeah, I agree with pretty much everything you just posted, Guyler. In fact, they're all reasons why I don't watch this show as often as I used to. However, I think that the voice actors are living up to my expectations. Look at the guy voices Porky Pig. Didn't he win an award earlier this year for voice acting?
Yeah, the person voicing Porky is very good. Near identical to the Chuck Jones Porky. And while it's not his fault, the voice direction on Porky is just as bad as the other characters IMO. As in, he sounds like Porky, but he's dialogue is not believable at all. He may be funny, but he doesn't have a thought process.
One of my biggest problems of the show is the lack of "wise-ass" Bugs Bunny, so to quote. The only time I as a viewer ever got to seeing that good ole Bugs was in "Jailbird and Jailbunny." We seriously need more of that.
I disagree with you on some points. Jailbird and Jailbunny was definetely one of the
worst episodes from this season in my opinion. It goes back to my other point that in this show, the plot is servicing the characters, where it should really be the characters servicing the plot. The dialouge for Bugs and Daffy is so generic that you could switch their dialouge and nothing would be lost.
Also, the Bugs in that episode doesn't feel like he's motivated to be doing what he's doing. With Daffy, you really feel his need to want to escape since Bugs is just making it worse for both of them to be there. We see his inner thoughts through genuine character acting. With Bugs, he just wants to be there....because the plot calls for it. He feels like a computer, just doing what the script asks for.
Plus, think about the poor kids who have just heard of Looney Tunes. They'll probably think that this show is how the real Looney Tunes is supposed to be.
....just a thought there.
A sad thought indeed.
Anyway, what's really needed now is a reunion with psychoanalysis at Warner Bros. This post-freudian Looney Tunes Show lacks some connections to basic human instincts that made 'em stand out in the first place. Just because they're anthropomorphic animals, doesn't make 'em less human. Species-based archetyping is A-OK.
I agree. They really screwed up if they wanted this show to be more "down to earth" since the way Bugs, Daffy, Porky, Sam and Speedy act in this show is not how real people act at all. For one, people don't snark and make 'tude faces in real life. People don't speak in "cool" one-liners either.
@Guyler i cant seem to find this but i think u mentioned somewhere in this thread that you find it weird that the people dont see anything weird that animals in the show can talk and if they're the only ones who can. well like it was answered before yeah theres also Daffy's Uncle from Casa De Calma and Also theres Lola Bunny's parents who can talk.
It just feels too confined to me. The anthropomorphism doesn't go outside the main Looney Tunes characters and their relatives that show up only once. In the shorts, there were many one-shot talking animal characters in there to show that they weren't the only ones who talked. But really, I'm just nitpicking and that isn't a major problem with the show, just my inner fanboy coming out.
also to touch up on how you said you find it strange that the humans dont find it weird that the animals can talk. idk if u remember this or not, but even back in the original looney tunes and Merrie Melodies cartoons, there were plenty of times where non looney tune human beings came in contact with the animal looney tunes characters and they talked to them without find anything weird either for example Baseball Bugs or Slick Hare and others.
True, but the humans in those particular shorts and others are caricatures of what actual people look like. Elmer Fudd, Granny, and Yosemite Sam can fit in with them and aren't singled out as being "Looney Tunes", they're just as human as everyone else since they are also cartoons. Also, while people accept it, people still realize that Bugs Bunny is a rabbit.
In the new show, they don't really go to extremes with the human character design as they should. Why not add in some new, short, bulbous nosed men, lumox characters and females with exaggerated proportions to even out the Sam, Elmer and Granny character designs? All I see are "normal" people rather than cartoon characters. They don't have to do cartoony things are anything, but they should still be seen as cartoons to the audience than seperate entities to the Looney Tunes characters. Just a nitpick.
Me and my best friend absolutely HATE The Looney Tunes Show simply because we are big fans of the classic shorts. I feel it totally ruined the characters and it's a cheap attempt to reach to the skateboard punk teen generation which totally makes me sick. Looney Tunes aren't about looking cool, Looney Tunes are about slapstick, explosions, wild wacky zanniness, The tricksters vs the evil yet stupid villians.
I'd say that the key to the success of the Looney Tunes are the great personalities and acting. Stuff like anvils and dynamite are just novelties to the entertainment. People went into the theaters 70 years ago to see their favorite characters get into a new adventures and say funny lines that would be memorable for years.
When you take away the strong characterization, you get
Tiny Toons , which was JUST anvils and dynamite in my opinion.
"Skateboard punk teens"? Sorry, but what show are you watching? That sounds more like a description for Loonatics Unleashed than for TLTS. I agree that The Looney Tunes Show isn't perfect, but I don't see it as being a "Poochie" kind of deal at all. None of the characters have ever been shown riding a skateboard, clubbing, watching MTV or spouting out hip buzzwords. If anything, the shows' writers seem to want the opposite of what you described. Earlier in the shows' genesis when the producers were tossing around ideas of what the new show would be like, someone suggested making Bugs, Daffy and company into teenagers, but thankfully, this idea was flatly rejected, so things could have been a lot worse.
I honestly still feel some "Poochie"-ness in this new series. The characters are a total snark fest, and make the same smug expressions at each other in every episode. It's almost like Bugs is disapointed every time they make a joke; he looks at the camera and sighs, like he's aware of how bad this show is, and wants to be doing something else. They also make references to pop culture in a attempt at humor, but JUST reference the property and don't make a joke about it.
While this show could've been a lot worse, it could be a lot better, to. "Me and my big mouth" type jokes in any kind of show currently on air is just bad. So why make the Looney Tunes say these jokes.
As for TLTS being more like the shorts, I both agree and disagree with this statement. While it would be better if there was a lot more broad slapstick, simpler and gag-filled plots and more "cartooniness" in general, but conversely, what's the point of making a "new" series that's a 100% re-iteration of the theatrical shorts which were made half a century ago?
I find it weird that WB is producing this show in order to modernize the Looney Tunes, but is still producing some shorts for theaters. I think that's going to confuse kids.
We have the shorts. They're still available to us both on TV and on DVD and on the net and we can watch them whenever and however we want to (legally, of course), so there's no reason to rehash them here. I love the shorts also, but I personally don't mind the idea of doing something with the LT characters which we haven't seen 100 times already. Keeping within the spirit and energy of the shorts, yes, but just rehashing the shorts, no. And anyway, I don't see the 2 as being mutually exclusive; it doesn't have to be "If you love the shorts, you have to hate the new stuff" or vice-versa. It is possible to like them both.
I think the major problem people have with the new show is that they are trying to portray these characters as the Looney Tunes to kids when they are NOT the Lonney Tunes characters at all, slaptick or not. New Bugs is the same character in a million kidcoms, not Bugs Bunny. He's not an individual.
While we still have the old shorts to watch, that doesn't mean that people can't point out what makes this new show bad. It's a different level of bad, if you ask me; it's not offensive bad, like Baby Looney Tunes or Loonatics or the Seven Arts Looney Tunes, which I'm not comparing it to. More like "disappointment bad." This show is the epitome of bad sitcom writing, and is also epitome of why executives are no good, by placing the Looney Tunes in there as an excuse to watch
crap.
Also, how is it "totally sad" that TLTS is getting strong ratings and positive feedback? That means that TLTS is doing exactly what WB intended for it to do: keep the Looney Tunes franchise alive and introduce the LT characters to a new generation. The success of TLTS also means that new future Looney Tunes related projects can be greenlit, since it's been proven that there's still an audience for them. Furthermore, TLTS' success is keeping the original shorts on Cartoon Network (since, let's face it, the only reason CN began rerunning the shorts in the first place was to cross-promote The Looney Tunes Show), so now the LTs have a new series which is doing well and the original shorts are once again running on TV so kids and adults alike can see and appreciate what made this franchise famous in the first place. I personally consider that to be a good thing.
I think it's great that the Looney Tunes are out in the open again, but this show doesn't respect those shorts at all. The artists don't care about what they're working on be cause they can't DO ANYTHING, so the show suffers because of it. They're being forced to storyboard a terrible script and aren't able to be TRULY creative with these characters and really give the audience a show that they will enjoy. That's the same thought process that goes into shows like Adventure Time, Regular Show, Gumball, and Spongebob Squarepants, and that's why they are quality products; they're made by the artists. The Looney Tunes Shows only has logos going for it, and screams "lie" everytime I watch it. I don't see artists enjoying their jobs, I see crap colored in frosting.
Being different isn't the problem; the artists not being able to express themselves is.
All I can say is don't watch TLTS if you don't like it. I don't see the point of hating on a show because it's popular. If people are watching it and keep coming back for more, then the writers and producers must be doing something right, and they're not going to stop doing the formula if they think it works. I'm not saying that there isn't room for improvement, but TLTS is hardly the worst take on LT/MM franchise, and it's certainly not the ungodly abomination that haters want to make it out to be.
It's popular because it's starring logos, not because it has good writing or good characters. Just like big budget movies like Transformers and Alvin and the Chipmunks.
Heck, even if this show wasn't popular, it would still be bad. Even if it didn't have the Looney Tunes in it at all, it would still be bad (probably worse). Just like if Loonatics wasn't as Looney Tunes product, it would still be a generic action show, and Baby Looney Tunes would be a Rugrats ripoff. The thing these three shows have in common is that the
content in them sucks, not that the Looney Tunes are doing something "different."
Sorry for my huge rant, Starbro.
I honestly can't sugar coat my opinion on this show anymore. If you like it, fine! But it seems to me that the only thing this show is good for is raising awareness in a time when the identity of these characters are slowly dieing.
The show isn't bad, the show isn't good, it's bland.
Yep, I agree. As I said, it isn't offensive, but it doesn't make a statement or really DO anything outside of starring Looney Tunes characters. My problems with the show go more into the product aspects, which is why I dislike it so much.
The problem with today is if the creators do any of the things that made Looney tunes great They will most likely:
1. Get jumped on by the network censors
2.Get ragged on by parents who think it may give their children ideas
3.Get the show cancelled since it would be too good on the now hopelessly downward Cartoon Network
Maybe that would be a problem if actual artists were running this show, but it's being run by executives. They hire somebody to make the scripts, and then force the artists to work from it. They're too afraid.
I thought Casa de Calma was a bit rusty, but it wasn't bad for a first episode. If they would've taken a chance and let the artists themselves improve on the content, and learn what makes the audience tick, they could've had a quality show on their hands, even if it was different. But they threw out the staff after ONE test screening! What if Cartoon Network did that with The Powerpuff Girls, or what if Nick did that with Ren and Stimpy or Spongebob, or if Comedy Central did that to South Park, all shows that did bad on their test screenings? They'd be dead and burried in the ground, that's what. You need to let things grow, then you will see you're riches return.
The notion that TLTS can't be 'looney' because Cartoon Network won't allow it is flimsy at best, considering that CN's other shows get away with just as much (on last night's Adventure Time, "Jake VS Me-Mow", a cat assassin slashes Finn, a 13-year-old boy, across the leg and on the face with a dagger, yet the same network would have a problem with a character dropping an anvil on someone?), and if that's the case, then why haven't the original LT cartoons been tampered with?
It's not CN, it's the executive producers that are keeping the show down. Remember that WB has control over the shows they produce in their inhouse studio, not CN. CN simply airs it, and gets paid for doing it. WB is the reason the show is mediocre.
I'm not entirely sure the first 2 things you listed here would actually happen. The show does have a TV-PG rating, after all.
That wouldn't stop some parents from complaining.
If the above were truly the case, then the original shorts and the airings of Looney Tunes: Back in Action would also be heavily censored, since they contain all of those things. Furthermore, both Tiny Toon Adventures and Animaniacs utilized examples of cartoon physics such as falling anvils and 'squash-and-stretch' and didn't get into any trouble for doing so. The network may be wary about the use of guns, but again, characters wield guns in the shorts and the characters in LT:BiA were also shown utilizing guns without any problems, and even if they were worried about that, the producers could just as easily replace the bullets with pop-gun corks, custard cream pies or other toon props.
Animaniacs and Tiny Toons don't air on tv anymore (and probably never will again, since WB is greedy when it comes to their shows being syndicated), so I don't know why you're bringing them up. And as I said, CN isn't holding this show back, and would probably love for this show to be more mature in it's content, like the other shows on the network. WB just isn't going to take that chance, and that's pretty sad , to be honest.
I'm just going to ignore number 3, since it hinges dangerously close to flamebait territory. Cartoon Network isn't going "hopelessly downward" just because 1 person doesn't like the majority of the shows on it.
You shouldn't base an entire...uh, "hatedom," I guess (though I don't hate this show at all, it doesn't make me angry) on one person on an internet board. Just as many people dislike this show as people like it.